Alexis Snell first worked with The Monkey Puzzle Tree on their logo design. Just recently she has collaborated with the company again to create this beautiful pattern entitled 'How the Leopard got his Spots',

Printed onto a rich velvet, the pattern is incredibly striking and none more so than when seen in person. We're thrilled to share these fantastic photos, curtesy of The Monkey Puzzle Tree, which show Alexis' fabric as upholstery - creating some stunning pieces of furniture! 

To read more about the project, please click on the images to view the original blog post.

Amelia Fang and the Barbaric Ball, Laura Ellen Anderson's debut novel, publishes with Egmont this October and a fantastic day was spent at CPI watching the book being printed in person. It's safe to say we were probably one of the giddiest groups to tour the printers, much to the amusement of James our guide; who kindly took us around and patiently answered all our questions and let us ask take as many photos as we liked. 

First up was a general tour of the printers. After seeing all the printing and binding machines at work we came to an area where copies of Amelia were whizzing around on conveyor belts; allowing time for the spine glue to dry before the book was trimmed down to size. 

We came away with hot-of-the press copies and as a further surprise, CPI had designed and printed a limited edition of Amelia books with a special, illustrated fore-edge for Laura to keep. They looked incredible. Below you can see the final versions complete with cover foil and an orange fore-edge, that will be available to buy. 

Thank you to CPI for a great day for us all and to Egmont for organising the trip for us. We'll be back for book two! 

Today we have a gorgeous project to share with you, and one that's been a while in the making. Back in 2015, after seeing Hanako's design for our annual wrapping paper, Rachel Williams at Frances Lincoln Children's Books approached Hanako about working on a new natural history series aimed at 4-5 year olds. The series was written by UK scientist and natural history writer, Catherine Barr and each book would look at a different species of animal and give 10 reasons as to why that particular species was unique. 

What followed was a wonderful, collaborative project that everyone is incredible proud of and (we think) some of Hanako's most striking artwork to date. Scroll down to view some of her detailed pencil roughs and their colour counterparts...

'10 Reasons to Love a Turtle' and '10 Reasons to Love an Elephant'' publish next week with Frances Lincoln Children's Books, in conjunction with the Natural History Museum. Books three and four (Bear and Whale) will follow in Spring 2018 and a further two titles are also currently under way!

As an artist who consistently produces beautiful, atmospheric work, Júlia Sardà was the perfect choice for the re-imagining of two Vintage Classics for Penguin Random House. Júlia brings her own interpretation to the well-loved Agnes Grey and The Tennant of Wildfell Hall, and being a fan of the Brontë's herself, it was a dream cover job. As you'll see there weren't many changes between early rough stages and final artworks - merely a few buildings put in place, along with some subtle colour, to complete the look. 

It's been a pretty incredible year for Laura, who has been selected to work on two big rebrands; the latest of which is the re-imaginging of the much-loved Tiffany Aching books by Terry Pratchett. Penguin Random House first approached Laura last summer to see if she'd like to put forward a sample for the project and even before a brief came through, Laura (who was away at the time) quickly whipped up this older Tiffany as an initial idea: 

The aim was to create new covers that would appeal to young readers, so Tiffany's character was redrawn younger (below), so that she could grow up as the books progressed. The character was then developed further with Deputy Art Director Ben Hughes, who also created the cover design, typography and branding for the series. 

Recently Chicken House announced some big news, not only were they publishing a new edition of bestselling fantasy novel Dragon Rider by Cornelia Funke, but a sequel was also in the works. We were lucky to be offered the chance to work on both titles twice over - Laura Ellen Anderson created the cover artwork for both books (seen here), while Alexis Snell was commissioned to create maps of Funke's fantasy world for the interiors.

We always love to show the process behind Alexis' work. An 'old-school' linocut artist, Alexis works completely traditionally, and after so many years honing her craft is incredibly adept at getting the smallest detail - not to mention all that backwards typography - into her work. Before they are even inked, her linocuts are a work of art. 

'I always enjoy working with Chicken House and this was a particularly lovely project. I learnt how to do the cartouches from a previous job with the V&A so it was fun to return to them again here - and who doesn't love a map in a book!?' - Alexis Snell

Below are the finished maps found at the front of each book. Dragon Rider and Dragon Rider: The Griffin's Feather  are published by Chicken House and hit the shelves next month. 

We're excited to take you behind the scenes of Jez Tuya's first trade picture book, The Treasure of Pirate Frank, published this month by Nosy Crow in the UK. Pirate Frank was one of the last picture books penned by Mal Peet and Elspeth Graham, so it was quite a special book for all involved. Scroll down to see some development work for the illustrations as well as insight into what it was like working on the book from the artist.

Back in 2015 this was the initial sample artwork that won Jez the commission to illustrate the book. The character then went through several revisions before arriving at the final boy you see on the cover...

Another interesting aspect of this particular project was how the story evolved as the artwork came to life. Originally Pirate Frank was a rather traditional character, however this was later changed, as you'll see below, creating an amusing plot twist in the story.

'I had a LOT of fun Illustrating The Treasure of Pirate Frank. One of the things that stood out to me from the manuscript was how the story unfolded in layers. Each block of text described a new location, as our hero and his canine companion travel through the story. Each location was described in such atmospheric detail - from snowy hills, to lush, swampy forests, to cold, snow volcanic mountains. I thought it'd be fitting to attempt to do the same visually - with each spread showing hints of the route travelled previously in the distance. I also tried to make use of textures to help evoke the lush atmosphere of the book. In a way, the "island of spice and gold" itself is one of the main characters in the story.

Designing the boy character was also quite fun. One key element I kept in mind during the design process was the idea of contrast. The environment had lots of earthy tones - lots of greens and browns, with sweeping, organic lines (like the trees in the forest) and the hard edges of the island's mountains. Alternatively for the characters, I tried to use quite rounded shapes for the hero and his dog, and incorporate bright, bold colours and patterns so that they stood out. I put myself in the boy's shoes, and imagined how he would have felt as he travelled the island in search of Pirate Frank's treasure.

When Nosy Crow first approached me with the manuscript, I knew immediately after reading it that it was going to be a really fun book to illustrate, and boy was it fun! The Treasure of Pirate Frank was the last picture book Mal Peet penned before his passing in 2015, so it's been such a great honour illustrating this book for him.' 
Jez Tuya.

It's amazing to see all 21 of Laura Ellen Anderson's new covers for The Famous Five together on the shelf! Laura was approached over a year ago by Alison Padley, Art Director at Hodder Children's Books, with this exciting project to celebrate the 75th Anniversary of the first book publication - and we've been keeping it under our hats ever since!

Laura's art brings a modern, fresh take to these classic adventures. With a nod to the originals, we hope this rebrand will attract a whole new generation of readers who haven't yet discovered Blyton's most famous gang. We asked Laura to share a bit about her experience working on the project...

"When illustrating each of the 21 covers, I approached it (as I do with most covers), as if I were designing a movie poster for each story. My favourite part was designing the four children and Timmy. I needed to update their look to make them more appealing to a new audience, but also make sure they wouldn't become dated a few years down the line - cue quite a lot of back and forth just on their clothes! Blyton's stories have been firm favourites for kids (and adults) for decades now, so the aim of the new cover illustrations was to hopefully continue this tradition. One particularly challenging aspect was to make sure all five characters were featured on every single cover, while keeping the designs varied and interesting at the same time."

Interestingly, Timmy does bear a passing resemblance to Laura's family dog, Scooby... To see some development work throughout the cover process, please scroll down.

It's been a whirlwind of meetings these last few weeks with London Book Fair swiftly followed by the Children's Book Fair in Bologna. Several of our artist's work were featured on publisher's stands, and some exciting projects were announced. Egmont's stand paid lovely homage to the talented Júlia Sardà (and author Louise Greig), with a gigantic illustrated banner of 'Sweep', a picture book she has recently finished in collaboration with them.

​Bologna Book Fair was a-buzz with news of Laura Ellen Anderson's first author-illustrated fiction (also Pickled ink's first literary deal). Her Amelia Fang series was acquired, at auction, by Egmont UK, with the first of three books, 'Amelia Fang and the Barbaric Ball', publishing in October this year. Gloriously gothic proofs with a die-cut cover were making a splash at the fair, with foreign publishers snapping up the rights ever since. We even made it into the Bologna edition of  The Bookseller!

Elsewhere, the first of Laura's 'Famous Five' covers for Hodder were prominently on display at the Hachette stand.

​Melissa Castrillón had a busy fair, signing copies of her gorgeous picture book with Topipittori, 'Che Bello', written by Antonella Capetti.

For the first time we got to see Hanako Clulow's beautiful illustrations for Frances Lincoln Children's Books in print and displayed next to each other. The '10 Reason's Why' series is written by Catherine Barr.

Spotted on the Nosy Crow stand was a copy of 'The Treasure of Pirate Frank', written by Mal Peet and Elspeth Graham and illustrated by Jez Tuya. Along with an early copy of Eve Coy's first author-illustrated picture book 'Looking After William', publishing with Andersen Press next year. 

Finally, two of our artists, Cindy Wume and Ya-Ling Huang, also had their artwork on display as part of a showcase of Taiwanese illustrators at the fair. 

Melissa's second picture book Che Bello has just published in Italy with Topipittori and, as we like to do here at Pickled ink, we thought we'd share some development artwork with you all on our blog.

As ever, Melissa's process is a fascinating one to get a glimpse into and its interesting to see just much colour influences her designs and layout choices from the very beginning, in comparison to a lot of artists who begin sketching ideas in black and white. More of these beautiful spreads can be seen in Melissa's online portfolio.